Friday, July 13, 2012

Louie, Like Abraham, Wrestles with God


Louie can be puzzling the first time you watch it. Louie is not a sitcom. It’s not a drama, it’s not a stand-up concert, it’s not an art film. Louie is just an experience like few others on television right now.

I have to admit that when I watched the first couple of episodes, I felt let down. Louie did not act like other tv shows I was watching. The comedy club footage made it seem like it was going to be like Seinfeld, but the stories weren’t really stories and they didn’t have jokes. The character of Louie wasn’t even always likeable, with his excessive profanity and extremely harsh and out of left-field “I’m just telling it like it is” observations. I wanted this Louis CK (star, director, writer, and editor of the series), but instead I got a guy who calls a kid who can’t open his milk “a little b***h.” Not to his face, mind you, but it still put me off a little.

I’m not sure what made me give the show another chance. I think it was because I wanted to watch a little tv, and Louie was the only short tv show in my Netflix queue. Something hit me when I watched “Playdate,” and that was that this show wasn’t trying to be tv, with some contrived plot and wacky neighbor – the kind of show Louis CK deliberately shows us he rejected in the second season episode “Oh, Louie.” This was a show where the stories are little filmed observations, sketches of moments, scenes of everyday life. Louie wanted to show life as it is – fragmentary, funny, puzzling, alienating, touching, evolving. It was TV not tv.

Of all which brings me to “God.” While the opening scene in the men’s room and the stand up about God’s relationship with Abraham were funny and set up the episode nicely, I want to focus on the main story. (I’m also skipping over these sections because they’re primarily where the rated R stuff comes into play.) In the main story – and there are spoilers ahead – we see nun teaching a young version of Louie learning about the torment and crucifixion of Jesus. He and his friend are not taking this discussion very seriously, which leads the nun to bring in a medical expert the next day to discuss in precise and graphic detail the physical suffering of Jesus. Louie’s friend is brought up to be the stand-in for Jesus, and at the end of the lesson, the doctor asks Louie to help him to crucify his friend for real.

It was at this point in the episode that I got very nervous. By this time in the season, grown-up Louie has been enough of a wise guy and had enough weird experiences that I honestly thought there was at least a possibility that young Louie would go through with it. Maybe he would think it was all a big set-up or that it was going to be some kind of magic trick. In any event, he doesn’t do it, at which point the doctor asks Louie why, if he can’t torture this rotten little kid, does he torture Christ with his sinning?

This question gives Louie nightmares as he remembers all of the sinning that he has done. In a moment of religious epiphany and sympathy he runs to the church, removes the nails from the crucified icon of Jesus and cradles it in his arms, begging for forgiveness. This moment was one of the most touching and deeply religious things I have ever seen on the television. You can see how, if you were expecting a traditional sitcom, you would totally be thrown for a loop.

In the morning, the nun cannot see Louie’s intentions, only his actions. She tells Louie’s mother that he has vandalized the church and suggests he be punished at home. Later, when Louie explains to his mother why he acted the way he did, Louie’s mother is horrified that the church would terrify her son that story in such a manner. She herself is not a Christian, but she recognized the importance of religion in other people’s lives and didn’t want to deprive her son of that aspect of his life. She doesn’t believe in Christ, but she does believe that his moral message of treating everyone kindly is the best path to follow.

So at this point, this episode has shown how a boy found his faith, how his faith was summarily dismissed by church leaders, and how his faith was replaced by a kind of humanism. How then to wrap all of this up? Louis CK leaves us with two small ambiguous endings, and this ambiguity makes the entire episode even better. After telling her son that there is no God, that it's enough just to be good to people, Louie's mom decides to take him out for some donuts. Except the car won't start, and they’re forced to sit there outside of the church. Just a coincidence? Another crappy event in an already crappy morning? Or is it some small sign from the petty God that Louis C.K. describes in his monologue that Louie and his mother cannot leave Him?

The second interesting coda is a very short shot where a volunteer nails Jesus back on the cross. Why include this shot? Does Louis CK just want to show that the statue was fixed after he tore it down? Does he mean it as a commentary on all of us, that we still willingly crucify Jesus? Is he participating in the debate of whether the appropriate symbol for the Christian church is one of Christ suffering (reminding us of our sinful nature) or of an empty cross (reminding us of absolution and the promise of rebirth)?

I think the answer to all of these questions depends on the person viewing the episode. Louie (and by extension Louis CK) comes across as agnostic, deeply suspicious of religion but not discounting it entirely. At the beginning of the episode, the questions he asks the man who is about to risk physical injury for “heaven” are the same questions any agnostic would ask a devoutly religious person: “Why would you do that?” “Why would you take that risk?”

These questions get at the heart of religious doubt. What purpose does religious worship serve? What happens if you devote a life to a God who ultimately doesn’t exist? What if you discover you’ve worshipped the wrong god or followed the wrong teachings or tried and failed to worship in a way that was pleasing to your god?

In this episode, Louie struggles to understand his relationship with God, in the same way that in other episodes he struggles to understand his relationships with his family, his friends, his kids, his neighbors, and everything else around him. In Louie, these struggles are honest, blunt, often funny, and sometimes not. Each show is an ambitious effort to depict an everyman’s struggle with existence. He may not even understand the fight and he certainly doesn’t always win it. But that’s what elevates this supposed “sitcom” into a rare and unique work of art.

Next up: Community: "Advanced Dungeons and Dragons" (Available on Hulu Plus)

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